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8 January 1836 – 25 June 1912. Most renowned painters.

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Jean-Baptiste Camille Corot
Wald von Fontainebleau

ID: 90248

Jean-Baptiste Camille Corot Wald von Fontainebleau
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Jean-Baptiste Camille Corot Wald von Fontainebleau


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Jean-Baptiste Camille Corot

(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.  Related Paintings of Jean-Baptiste Camille Corot :. | Le Pont de Mantes | Stadt und See von Como | Honfleur, maisons sur Le quais | Wald von Fontainebleau | Portrait of Octavie Sennegon, the artist's niece |
Related Artists:
TERBRUGGHEN, Hendrick
Dutch Baroque Era Painter, ca.1588-1629 Dutch painter, a leading member of the Utrecht school. He was a pupil of the history painter Bloemaert before living (c.1604?C14) in Italy. Crowning of Thorns (1620; Copenhagen) is his first known dated work. Like his contemporaries Honthorst and Baburen, he was largely influenced by Caravaggio, although an awareness of D??rer and Lucas van Leyden recurs throughout his work. His intimate and restrained genre compositions foreshadow in coloring the work of Vermeer. Many of Terbrugghen's paintings are nighttime genre scenes. His work is represented in the major European museums. Typical examples are his St. Sebastian (Allen Mus., Oberlin, Ohio), Old Man Writing
Samuel Miller
American Painter, 1807-1853
Johan Hendrik Weissenbruch
Dutch Painter, 1824-1903 Painter, cousin of Jan Weissenbruch. He referred to himself and signed his work as Jan Hendrik Weissenbruch. From 1840 he attended drawing lessons with the Norwegian painter Johannes Lew, and from 1846 he was taught by Bartholomeus J. van Hove at the Koninklijke Academie van Beeldende Kunsten in The Hague. His early paintings clearly show the influence of van Hove and Andreas Schelfhout, although it is uncertain whether he was actually taught by the latter. His father, an avid collector, owned works by both artists.






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